Categories: English edition

Paris’ Museum of Mankind reopens

After six years of renovations, the “Museum of Mankind” (Musee de l’Homme) in Paris will reopen its doors this week. Although the exterior of the art deco building, located in the famous Trocadero Square overlooking the Eiffel Tower remains unchanged, inside visitors will discover 2,500 square metres of entirely renovated exhibitions, offering a new perspective on the history and evolution of mankind.

Museum curator Evelyne Heyer says the permanent exhibition looks at three things: what mankind is, where man came from and where mankind is headed. She explains that methods of research into humanity have changed and researchers now know how important the relationship between biology and culture is in the functioning of human beings. “Mankind hasn’t changed, but the science of mankind has — we know that to understand mankind we must really grasp the biological and cultural aspects and there are plenty of questions in our society’s current events that require this double-understanding, this double-competence,” she said.

The museum contains some of the largest and most reputable collections of prehistoric artifacts in the world, featuring recently acquired ethnological artifacts.

These remarkable objects are presented in chronological order — from the skull of man’s ancestor Cro-Magnon to that of French philosopher Rene Descartes — along with a gallery of 19th-century busts representing human diversity in a modern way. More than 96 million euros were invested by the French government to revamp the historic museum, which first opened its doors in 1938.

The Museum of Mankind (Musee de l’Homme) opens to the public on Saturday (October 17), with free entry for the first three days after opening.

Copyright: (c) Copyright Thomson Reuters 2015. Open For Restrictions – http://about.reuters.com/fulllegal.asp

Restrictions: The music track in this video news story must only be used as part of this production and must not be stripped out and used in any other context or production, or used in any re-edit or cut down of the production.

Related Posts

karouzo

Share
Published by
karouzo

Recent Posts

Χρόνης Μπότσογλου 1941-2022

Ο Χρόνης Μπότσογλου ανήκει στους κορυφαίους Έλληνες ζωγράφους της μεταπολεμικής τέχνης. Επί δεκαετίες παρατηρούσε τον…

3 years ago

Η ματιά του Mathieu Pernot στους προσφυγικούς καταυλισμούς της Λέσβου

Στιγμιότυπα από την παρουσία των προσφύγων στους δρόμους του Παρισιού, στους καταυλισμούς του Καλαί και…

4 years ago

Σώτη Τριανταφύλλου: “Ας μη ζούμε διαρκώς με τον ίδιο τρόπο…”

Στα μυθιστορήματα μιλάμε για την ανθρώπινη κατάσταση, εμβαθύνουμε σε πράγματα που δεν αποτελούν υλικό άρθρων…

4 years ago

Κριστόφ Πεντερέτσκι

Οταν ζεις σε δύσκολες εποχές, νιώθεις την ανάγκη να αγωνιστείς για την ελευθερία.

5 years ago

Ρατσισμός, ομοφοβία και βία στη λογοτεχνία του Εντουάρ Λουί

Όταν έφτασα στο Παρίσι για να σπουδάσω Φιλοσοφία, διαπίστωσα ότι όλη αυτή η δυστυχία, η…

5 years ago

Venice Biennale 2019 review – preaching to the converted

There is much to praise from Ghana, India, France, and a stunning international pavilion. Less…

6 years ago

This website uses cookies.